“That’s not bringing me up well,” suggested Joan: “putting those ideas into my head.” Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.”!

One of Joan’s earliest recollections was the picture of herself standing before the high cheval glass in her mother’s dressing-room. Her clothes lay scattered far and wide, falling where she had flung them; not a shred of any kind of covering was left to her. She must have been very small, for she could remember looking up and seeing high above her head the two brass knobs by which the glass was fastened to its frame. Suddenly, out of the upper portion of the glass, there looked a scared red face. It hovered there a moment, and over it in swift succession there passed the expressions, first of petrified amazement, secondly of shocked indignation, and thirdly of righteous wrath. And then it swooped down upon her, and the image in the glass became a confusion of small naked arms and legs mingled with green cotton gloves and purple bonnet strings. “I said that,” answered Joan. “I wanted to do it and I talked and talked, so hard. I said everything I could think of. But that was the only answer: I mustn’t do it.”

“I don’t think she was happy,” answered Joan. “She was at first. As a child, I can remember her singing and laughing about the house, and she liked always to have people about her. Until her illness came. It changed her very much. But my father was gentleness itself, to the end.” Palace Yard, save for a statuesque policeman, was empty. It had been a pretty crowded day, even for so busy a sinner as little Joan. It was springtime, and they had gone into the country for her mother’s health. Maybe it was the season: a stirring of the human sap, conducing to that feeling of being “too big for one’s boots,” as the saying is. A dangerous period of the year. Indeed, on the principle that prevention is better than cure, Mrs. Munday had made it a custom during April and May to administer to Joan a cooling mixture; but on this occasion had unfortunately come away without it. Joan, dressed for use rather than show, and without either shoes or stockings, had stolen stealthily downstairs: something seemed to be calling to her. Silently—“like a thief in the night,” to adopt Mrs. Munday’s metaphor—had slipped the heavy bolts; had joined the thousand creatures of the wood—had danced and leapt and shouted; had behaved, in short, more as if she had been a Pagan nymph than a happy English child. She had regained the house unnoticed, as she thought, the Devil, no doubt, assisting her; and had hidden her wet clothes in the bottom of a mighty chest. Deceitfulness in her heart, she had greeted Mrs. Munday in sleepy tones from beneath the sheets; and before breakfast, assailed by suspicious questions, had told a deliberate lie. Later in the morning, during an argument with an active young pig who was willing enough to play at Red Riding Hood so far as eating things out of a basket was concerned, but who would not wear a night-cap, she had used a wicked word. In the afternoon she “might have killed” the farmer’s only son and heir. They had had a row. In one of those sad lapses from the higher Christian standards into which Satan was always egging her, she had pushed him; and he had tumbled head over heels into the horse-pond. The reason, that instead of lying there and drowning he had got up and walked back to the house howling fit to wake the Seven Sleepers, was that God, watching over little children, had arranged for the incident taking place on that side of the pond where it was shallow. Had the scrimmage occurred on the opposite bank, beneath which the water was much deeper, Joan in all probability would have had murder on her soul. It seemed to Joan that if God, all-powerful and all-foreseeing, had been so careful in selecting the site, He might with equal ease have prevented the row from ever taking place. Why couldn’t the little beast have been guided back from school through the orchard, much the shorter way, instead of being brought round by the yard, so as to come upon her at a moment when she was feeling a bit short-tempered, to put it mildly? And why had God allowed him to call her “Carrots”? That Joan should have “put it” this way, instead of going down on her knees and thanking the Lord for having saved her from a crime, was proof of her inborn evil disposition. In the evening was reached the culminating point. Just before going to bed she had murdered old George the cowman. For all practical purposes she might just as well have been successful in drowning William Augustus earlier in the day. It seemed to be one of those things that had to be. Mr. Hornflower still lived, it was true, but that was not Joan’s fault. Joan, standing in white night-gown beside her bed, everything around her breathing of innocence and virtue: the spotless bedclothes, the chintz curtains, the white hyacinths upon the window-ledge, Joan’s Bible, a present from Aunt Susan; her prayer-book, handsomely bound in calf, a present from Grandpapa, upon their little table; Mrs. Munday in evening black and cameo brooch (pale red with tomb and weeping willow in white relief) sacred to the memory of the departed Mr. Munday—Joan standing there erect, with pale, passionate face, defying all these aids to righteousness, had deliberately wished Mr. Hornflower dead. Old George Hornflower it was who, unseen by her, had passed her that morning in the wood. Grumpy old George it was who had overheard the wicked word with which she had cursed the pig; who had met William Augustus on his emergence from the pond. To Mr. George Hornflower, the humble instrument in the hands of Providence, helping her towards possible salvation, she ought to have been grateful. And instead of that she had flung into the agonized face of Mrs. Munday these awful words: